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Chris Berntsen: "Erotohistoriography Riis, 1955/2017" 20" x 24" Archival Pigment Print, 2019.

Wildfire: an exhibition of work exploring Queer Temporality, Futurity and the Archive

August 11 - September 8, UNO Gallery, 2429 St Claude Ave. Open Saturdays and Sundays 12 - 5pm.

Opening Saturday August 10, 6 - 10pm.

The exhibition Wildfire showcases new work by 10 contemporary queer artists. This work investigates the queer archive, representations of queer and trans identities, looks at what it means to be black in the present moment and commemorates underground queer subcultures.

The exhibition is timed to coincide with the 5oth anniversary of the Stonewall riots that gave birth to the modern gay liberation movement. Born in flames, this movement spread like wildfire, demanding liberation and freedom for all.

Chris Berntsen and Ruth Ex's collaborative video, Reflectus, layers archival film footage with contemporary images. This work explores queer desire, connection and collective memory. Reflectus bridges a generational gap divided through time, AIDS and changing technology, blending the images to connect eras, bodies, and communities often considered disparate.

Raven Crane and Malik Perriloux's performative work investigates what it means to be black in the past, present and future. Together they explore how the history of slavery and colonialism in America impacted both the country's foundation and our present reality.

Colin Roberson takes intimate portraits of the underground world of hustlers and male dancers. Paired with photographs of friends hanging out and intimate moments from his own life, his black and white photographs depict a world where money, sex and desire are interconnected and central.

Río Sofia's self-portraiture investigates representations of gender in forced feminization pornography. A transgender woman, Sofia's work uses the visual language of sissification porn, restaging scenes and narratives that speak back to the complex relationships between gender, transformation and power.

Ashley Teamer's works on canvas explore black femininity within the realm of competitive sports. Utilizing the imagery from trading cards and other sports ephemera, Teamer's large scale works are manifestations of black female liberation.

Meg Turner and Courtney Webster's collaborative photo-based work imagines a future that is not yet here. They re-stage historical narratives, inserting the body of Webster, a black woman, into scenes usually reserved for a white male hero. Creating images centering Webster as both subject and object, the artists seek to create an alternate lexicon that makes visible what has been previously erased.

Natalie Woodlock's portraits of queer subjects on satin banners commemorate an underground queer community influenced by punk, radical social movements and the hedonism of gay party culture.

A queer film program at Zeitgeist coincides with the exhibition. This program presents a small selection of predominantly contemporary filmmaking exploring issues of concern to queer communities, artists and activists today.

Courtney Webster & Meg Turner Patricide C print from wet plate collodion 30" x 38" 2016

Colin Roberson: "Locker room on a slow Sunday, Lucky Horseshoe Lounge, Boystown Chicago" 2018 Silver gelatin print

Río Sofia "Forced Womanhood! #7" 2017


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